Human Cull - Revenant - 12" LP - IMPORT

$15.00
Only 1 left in stock

On 'Revenant' HUMAN CULL push their already frantic crust-tinged blast-heavy grind of the last release into overdrive, featuring a huge production from Will Blackmon (Gadget, The Arson Project) and furious instrumental performances running in the style of 'FETO' era Napalm Death or 'Human 2.0' Nasum.Songs run between monstrous fleet-fingered trem picking blast-fests to open riffing frantic d-beats but rarely drop below FAST. Lyrics are primarily about totalitarianism, following the thematic setting of an imagined medieval cyber punk future. Think of the cover of Anticapital and imagine living there, feelings of monochrome horror and anxiety blend with commentary on modern stupidity, terrorism and propaganda.

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On 'Revenant' HUMAN CULL push their already frantic crust-tinged blast-heavy grind of the last release into overdrive, featuring a huge production from Will Blackmon (Gadget, The Arson Project) and furious instrumental performances running in the style of 'FETO' era Napalm Death or 'Human 2.0' Nasum.Songs run between monstrous fleet-fingered trem picking blast-fests to open riffing frantic d-beats but rarely drop below FAST. Lyrics are primarily about totalitarianism, following the thematic setting of an imagined medieval cyber punk future. Think of the cover of Anticapital and imagine living there, feelings of monochrome horror and anxiety blend with commentary on modern stupidity, terrorism and propaganda.

On 'Revenant' HUMAN CULL push their already frantic crust-tinged blast-heavy grind of the last release into overdrive, featuring a huge production from Will Blackmon (Gadget, The Arson Project) and furious instrumental performances running in the style of 'FETO' era Napalm Death or 'Human 2.0' Nasum.Songs run between monstrous fleet-fingered trem picking blast-fests to open riffing frantic d-beats but rarely drop below FAST. Lyrics are primarily about totalitarianism, following the thematic setting of an imagined medieval cyber punk future. Think of the cover of Anticapital and imagine living there, feelings of monochrome horror and anxiety blend with commentary on modern stupidity, terrorism and propaganda.

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